As a film photographer who’s been shooting exclusively on film in black and white for some time now, I’ve come to realize a fundamental truth: a good eye trumps expensive gear any day. There’s a prevailing myth in the photography world that you need top-of-the-line equipment to capture compelling images, but I’m here to tell you that’s simply not the case. In fact, I believe that with dedication and practice, even a camera like a cellphone or my beloved Canonet QL17 GIII (the poor man Leica that I use the most) can produce great results.
“Skill in photography is acquired by practice and not by purchase.” – Percy W. Harris
Let’s address the elephant in the room: the Leica. Renowned for its exceptional quality and hefty price tag, the Leica camera has become synonymous with professional photography. But here’s the thing – while owning a Leica might be a dream for many photographers, it’s not a prerequisite for creating beautiful imagery.
Sure, there are limitations to shooting with a cellphone or a Canonet QL17 GIII compared to a top-tier camera. The fixed lens, manual focus, and yeah, sometimes the image quality might not be as crisp. But here’s where creativity comes into play. Rather than viewing these limitations as obstacles, embrace them as opportunities to think outside the box and push your creative boundaries.
“When people ask me what equipment I use – I tell them my eyes.” – Anonymous
Let me share a recent experience that solidified this belief during my trip to Hong Kong. Amidst the bustling streets and vibrant culture, I had the option of bringing along my Hasselblad 500 CM, a renowned medium format camera, along with my trusty Canonet QL17 GIII. Despite the allure of the Hasselblad’s undeniable quality, I found myself gravitating towards the Canonet for its portability and ease of use. In the dynamic environment of Hong Kong’s streets, where moments unfold in the blink of an eye, the Canonet proved to be the perfect companion. Its compact size allowed me to snap photos on the go, capturing candid moments with spontaneity and precision. While the Hasselblad sat alone in my hotel room (I know, quite daring of me, right?), it was my Canonet that saw the most action, effortlessly weaving through crowds, navigating narrow alleyways or taking the streetcar. I must admit, pressing the Canonet’s weak plastic shutter button is quite different from the satisfying sound of the Hasselblad’s robust shutter.
“Photography is not about cameras, gadgets and gizmos. Photography is about photographers. A camera didn’t make a great picture any more than a typewriter wrote a great novel.” – Peter Adams
This experience reaffirmed my belief that the camera is just a tool – a conduit through which creativity flows. It’s not about owning the latest and greatest gear; it’s about embracing the tools you have at your disposal and mastering them to their fullest potential. The more comfortable you become with your camera, the more you’ll want to use it, and the more naturally skilled you’ll become at capturing compelling images and expressing your creativity.
“Your first 10,000 photographs are your worst.” – Henri Cartier-Bresson
So, whether you’re shooting with a Leica, a Canonet QL17 GIII, or even just a smartphone, remember that the essence of photography lies not in the equipment, but in the passion and vision of the photographer. Embrace the journey, hone your skills, and let your creativity shine. Because in the end, great photography isn’t about the gear – it’s about the stories you tell and the moments you capture with your unique perspective behind the lens.
“It is an illusion that photos are made with the camera… they are made with the eye, heart and head.” – Henri Cartier-Bresson
Don’t get me wrong; the Leica is a one-of-a-kind, handcrafted camera with undisputed image quality, and I would gladly use one given the chance. However, my point is that creativity knows no bounds when it comes to the tools you already have in hand.




2 comments
K
Film development chemicals probably effect the end result more than the glass or body you use. For instance compare the difference between bw dev sharpness between d76, pyrocat, rodinal, hc110. Or even compare dilutions within d76. Lets all be free of marketing enchantments, run what ya brung. Dont stress about your equipment
Fred
Absolutely, I completely agree with you. Chemicals have a much greater impact on your negatives than the type of camera/glass you use. The choice of chemicals and development process significantly influences your creative outcomes.